No.16 Jimmy:
Going through this writing process, did it get emotional?
Did it get like, "I don't know if we can do this"?

Jim:
Yeah, it's super-emotional.
It's super-emotional, especially when I do anything
about my father, you know?
Anything about my dad will open me up.
You know, it's a matter of "A" before, you know,
the string gets pulled and I become a living example of
Samuel Barber's "Adagio for Strings."
♪ Ahh, ahh, ahh ♪
You know?

Jimmy:
It starts coming.
Was your dad the first person
to introduce you to comedy clubs?

Jim:
Yeah, he was the guy that said,
"Hey, there's these places called comedy clubs.
And you've got to stop doing this in your living room."
Both laugh ]

Jimmy:
Would he perform at parties at your house and stuff?

Jim:
Yeah, every time people came over, I was the show.
You know, they would be greeted by an 8-year-old
throwing himself down a huge flight of stares, at their feet.
And they would be "B".
And then I'd get up and say,
"Let's see that again, in slow motion," like that.
And I'd go back up and I'd come down...
and do every step in slow motion.
So I was the show. I was the show. Yeah.

Jimmy:
That was my move, too.
I would fall down the stairs with a paper plate
and pretend I was Chevy Chase and say, "Live from New York..."
And then my parents would give me 50 cents or a dollar
or something to do Rodney Dangerfield impressions
for the party.

what this blank "A","B" will be

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A

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